My paintings engage with the complexities of perception, often playing with the tension between abstraction and figuration. Through layers of imagery, I explore human encounters, social dynamics, and personal reflection. This selection showcases different periods of my exploration, where various techniques and themes converge to create distinct visual experiences.

Abstract and figurative contrasts

One of the central ideas in my work is the juxtaposition of abstract and figurative contrasts. I often combine abstract shapes with recognizable forms, such as landscapes or figures. This creates a space where different interpretations can coexist. By allowing these contrasts to interact, I aim to evoke a sense of discovery. Viewers are invited to engage with the layers of the painting, each offering new insights depending on their perspective.

This approach draws from a belief that no single image can fully encapsulate an idea or emotion. Instead, it is in the tension between the parts—between abstraction and representation—that meaning emerges. These abstract and figurative contrasts also mirror the complexities of human relationships and societal structures. Just as our interactions are shaped by diverse experiences, my paintings present a dialogue between seemingly unrelated elements.

Layered artistic process

The relationship between the personal and the collective is a recurring theme in my paintings. My layered artistic process reflects how individual experiences are influenced by broader societal trends. I address the ways in which political and social forces shape our perceptions by layering various techniques and combining abstract and figurative elements to form a cohesive whole.

Each painting involves several layers, both physically and conceptually. This technique allows me to build complexity within the work and engage with the themes of identity, society, and personal reflection. This layered artistic process reveals the overlapping realities that we all experience, and these paintings are not meant to provide answers but to provoke reflection.

Spatial ambiguity in painting

Another key element in my work is the idea of spatial ambiguity in painting. I create spatial ambiguity by blurring the boundaries between figures, shapes, and backgrounds. This technique mirrors my interest in the concept of the “third place,” where different perspectives meet and definitions are left open.

Incorporating spatial ambiguity in painting allows me to experiment with technique and texture. The absence of clear boundaries between forms makes the work feel dynamic and open to multiple interpretations. My goal is to use spatial ambiguity to encourage viewers to reflect on the broader themes of societal change and human relationships within a visually ambiguous context.

Human existence in art

The absurdity and complexity of human existence in art is another theme I explore in my works. I am fascinated by the contradictions between societal norms and individual experiences. Through my paintings, I address these contradictions by exploring themes like fear, societal expectations, and the fleeting nature of life.

I often depict scenes that reflect the tension between the individual and society. I explore how fear – whether personal or collective – shapes political and social structures. Human existence in art becomes a vehicle through which I can express how fear drives many aspects of our lives and the decisions we make. These fears influence not only our political decisions but also the way we perceive ourselves and the world around us.

Fear and society in visual art

Fear and society in visual art play a crucial role in shaping my works. I believe fear is one of the most powerful emotions driving societal change. Fear of the unknown, of losing status, or of new ideas often drives political movements, influencing how people view the world and their place within it.

In my paintings, I aim to capture this intersection of fear and society in visual art by depicting tensions between personal anxieties and broader social forces. My work reflects on how fear, both internal and external, affects everything from individual relationships to global political dynamics. The dystopian imagery in some pieces represents these concerns, while other works capture the uncertainty and instability inherent in human life.

Conclusion

Throughout my work, I strive to create visual experiences that explore abstract and figurative contrasts, layered artistic processes, spatial ambiguity, human existence in art, and the role of fear in society. By using these elements, I create paintings that challenge viewers to reflect on the complexities of both personal and societal realities. My goal is not to dictate interpretation but to provide a space for exploration, where multiple perspectives can coexist.