A selection of older works

Visual contrasts in painting

In my older works, visual contrasts play a significant role. By combining sharp lines and soft textures, I created tension within the composition. The contrast between abstract and figurative elements is a recurring theme. These contrasts mirror how we experience life – where opposites coexist and interact. Through these paintings, I examined how different elements could form a unified whole, reflecting the complexity of human perception.

Early experiments in layering techniques

Layering was a key technique in these early paintings. I experimented with various materials and methods to build depth, both visually and conceptually. Each layer adds a new dimension, much like how individual experiences combine to shape our understanding of the world. By using collage-like structures, I was able to challenge traditional forms and create works that invite the viewer to look deeper. This technique laid the groundwork for my current practice, where layers are essential for conveying multiple perspectives.

Exploring duality in individual and collective consciousness

The idea of duality—how the individual and the collective shape one another – is central in these older works. I focused on how collective images influence subjective experiences and vice versa. Symbols and fragmented imagery often appear, reflecting the tension between internal thoughts and external realities. These paintings offer a space where the individual and societal narratives collide, creating an open dialogue. The visual language reflects this interplay, with abstract forms suggesting the complexity of human consciousness.

Art as a platform for interpretation

A core principle in my early paintings is that they are open to interpretation. I aimed to create works that do not dictate a single meaning. Instead, these paintings function as platforms, allowing viewers to bring their own perspectives. The ambiguity within the images encourages active engagement, where multiple interpretations are possible. This approach has remained consistent in my work, as I believe art should offer more questions than answers.

Absurdity in social structures

These older works also touch on themes of social norms and structures. I used exaggerated or absurd imagery to critique accepted ways of thinking. The focus is on how social constructions – whether political, cultural, or personal—are often temporary and subject to change. By questioning these structures, I aimed to highlight their artificial nature. The absurdity of life, particularly how it relates to societal expectations, remains a focus in my practice today.